Showing posts with label lost in the trees. Show all posts
Showing posts with label lost in the trees. Show all posts

Wednesday, April 25, 2012

Album Review: A Church That Fits Our Needs by Lost in the trees

We would like to welcome Amy Heishman as a guest contributor to Final E Chord music blog.

A Church That Fits Our Needs (2012)
It was my growing obsession with Mount Moriah that led me to Lost in the Trees. Perhaps not quite as literally as that may sound; either way, it’s an easy path to follow. I’m not sure what got me first- the orchestral sounds or the haunting voice of Ari Picker. I’ve always been in love with classical instruments; Picker is a classically trained musician. This was bound to happen. 

While I will be forever in love with All Alone in an Empty House (2008), there is something gritty about A Church That Fits Our Needs (2012). Their debut track, “Red” is more defined than the much loved “Walk Around the Lake.” The old album was lyrical; it told ballads, it made up stories. Here, in their sophomore release, Picker’s lyrics are poetry in their own right. Picker wrote the album while dealing with his mother’s suicide, and perhaps his own journey through that is what moves this beyond simple storytelling into a well-articulated statement of beauty and loss. It’s easy to see why “Red” is the debut track; you can’t help but hear the “beautiful garden that blooms” in the careful considerations of percussion. The xylophone is the budding flower behind the strings and yet the vocals never let one forget that we can “still hear you weeping beyond the wall.” Like the album, “Red” is a celebration of mortality. Picker has, in many an interview, spoke of music as a religious experience and this is certainly true of the album and much more so in the title track. 

If “Red” is an upbeat realization then the title track, “A Church that Fits Our Needs,” is an angry questioning and tribute to the healing power of music. The song is part chamber music, part folk, and part something else. The album as a whole should be considered much the same: part worship, part storytelling, and part something else. It will take more than one listen, but you’ll want to listen more than once. And, while I still remain devoted to the first album, I have a feeling that even the morose tones of the second will take root. I’ll just call it "the thinking man’s album", and go from there.


Tuesday, February 28, 2012

Upcoming Concert: Hammer No More the Fingers with The Big Picture, Thursday, March 1st


Joe Hall on guitar, Duncan Webster on bass
Raleigh is in for quite a treat on Thursday. Hammer No More the Fingers, the indie-punk/pop/rock trio from Durham, N.C. is headlining Tir Na Nog Irish Pub's weekly Local Band, Local Beer Night.



 Jeff Stickley on drums
HNTF has been rocking the Triangle for years and just recently released their third and most polished album last year. Their sound is unique and tricky to describe, as even they admit. Some critics call them emotional rock, without being emo. For me, Weezer comes to mind as a major influence (see Vodka Grasshopper). The songs are short and catchy, with melodies and choruses sure to have you on your feet, moving to thumping bass-lines and up-beat drumming.


The Big Picture
The Big Picture is opening up for HNMTF and I can't wait to hear them, as they feature a mix of some of the bigger names in the Triangle music scene (Johnny and Joah Tunnell of The Never, Nick Radford of The Annuals, Leah Gibson of Lost in the Trees). They're described as experimental pop, at times reminiscent of The Arcade Fire. Come enjoy a local brew and some awesome local music this Thursday at 10 p.m.!


Hammer No More the Fingers - Shark (Black Shark, 2011)
Hammer No More the Fingers - Radiation (Looking for Bruce, 2009)